Some More Technology in Literacy: Finding My Way Under New Mexico's Response To Intervention Model

I've been talking about technology in literacy a little bit lately, so I figured I'd stay on that topic today. My school district, like all school districts in the state of New Mexico, is implementing a "Response to Intervention" model (from here on referred to as RTI). The RTI model does have some MAJOR issues, including the fact that schools are basically left to their own devices to implement it, that it takes instructional time from the day, and that in many cases (whether the state department wants it or not) all students are given the interventions.

If you're not familiar, and I don't want to get too deeply into this, RTI is a mainly literacy intervention where kids are given extra small group tutoring sessions in heterogeneously grouped settings. I can't honestly say that I agree with the model and in the two years we have implemented it I haven't seen it do any good. But that's not the point here.

My grade level implemented RTI by taking one classroom teacher a quarter, as well as support staff, and splitting up the students in need of intervention (we defined them as "below benchmark"), while the other teachers took the kids not needing it and did science. When it was my turn, I had an intensive group of four students.

Rather than beat them over the heads with worksheets and mundane tasks, I pulled out some technology and had them interact with each other and texts in a new way. This was easy because there was four of them and I had eight computers in the classroom. One of the biggest things they did during their 9-weeks with me was they would read Diary of a Wimply Kid on Funbrain.com. This was basically the same book that I had six copies of on my bookshelf, but they came to me every day begging for more.

We were on computers four days a week during my RTI cycle (the entire 9-weeks). When these four students went to take the MAPS Test, an online assessment, they grew more than any other RTI intensive students that year. Of course, I knew why. They were excited about their reading, they were seeking out more, and they stayed positive. They were in an environment that allowed them to experiment with the text, to interact with it, and to get out of the mundane routine of worksheets and textbooks.

I guess my point(s) here are:

1. Sometimes school districts or state education departments implement programs that are not in the best interest of learning.

2. Sometimes teachers have to make the best of a bad situation (that is more than sometimes in some cases).

3. Think outside the box, even if it's just baby steps. I know that computers in the classroom aren't a "WOW" thing anymore, but they are still out of the routine.

4. Follow what works. Just because it worked for me doesn't mean it will for you. I'm just sharing in the hopes that maybe it will work for somebody else.

My Take on Watchmen

I had never read Watchmen, the highly popular graphic novel by Alan Moore and Dave Gibbons (artist). When the movie came out a few months ago, the book gained in popularity again, and I finally caved and got a copy to see what all the hype was about.

I am by no means a graphic novel aficionado, I have just read a few things that have caught my interest over the years, so I'm not one who feeds on these types of books. I have, however, started branching out and trying to read more, and have found it to be a varied experience.

My first thought when I began reading Watchmen was "wow, this is just a big giant comic book." I was drawing back on my childhood experiences, reading X Men and Superman comics, among others. However, when looking at this book through a historical lens, knowing that it was written during the later years of the Cold War, there was a lot to this book. The cynicism, the disillusionment, and the tongue-in-cheek dialogue, especially from the narrator Rorschach, made this a great adult reading experience.

I'll admit that some of the Dr. Manhattan stuff got a little "out there," but I enjoyed the metaphor that lied behind it. That's a good way to describe my overall experience with this book. It was out there, but was a great story that kept having me go "ah yes, I got that, very nice."

Now, does this book have potential in the classroom? First off, if you're talking anything below AP English Literature for Seniors or really insightful Juniors, forget it, don't even bother. If this book fits some kind of unit of study on, say, the Cold War, or in a greater survey of graphic novels, comic books, or something along those lines, then sure, I can see it fitting in terms of its content along those subject lines.

It is a very witty, very multi-dimensional story. There is a lot more sophistication than I was anticipating, and I'm not saying that in a snooty, "those darn kids won't get it, they're just not smart enough," kind of way. I am saying that it simply might go over their heads and end up being just another comic book with an adult theme.

This is a great piece of literature that has aged well, but is an adult piece of literature. I commend anyone who has managed to use this in the classroom and go deeper than surface level with it. Personally, I say it's more of an adult read, but if you've had experiences teaching with this, please share.

In the Small by Michael Hague, a graphic novel book review

What you're going to read from me over the next few days are a few graphic novel reviews, I am currently going through a stack of some that were either recommended to me or sounded interesting.

Today I am going to review In the Small, by Michael Hague. In the Small is the debut for Hague and is likely the first in a story series. In the Small is a post apocalyptic story about a blue flash that envelops the earth, turning humans 1/12 their normal size. Of course, you can imagine the panic that sweeps the world, as life as humanity knows it ceases to exist. Animals once thought benign are now predators on the largest scale, and years of technological advancement are for nothing, because humans are no longer large enough to use any of it.

This is a great premise, an interesting take on the whole apocalyptic story, certainly a departure from the celestial event or nuclear bombing that is the hallmark of 90% of all books and/or movies in this genre.

The first thing I noticed about In the Small is that I didn't care much for the delivery of the story in Hague's artistry or word choice. The story was highly contrived, based around mysticism a little bit too much, and was one of those stories where basically one family does all the work on two separate fronts and everyone else just satisfies themselves with being background players.

The graphics were rather gory, which isn't a problem, and actually comes with the territory, many graphic novels that are classified as young adult appropriate have a fair amount of blood and death, but this one was sensationalized a little bit at times.

I felt that the story was weak, and if I wasn't trying to get through it in order to have the whole story to look at (or the fact that it only took about 20 minutes to read the whole thing and gather my thoughts on it), then I may not have finished it, it couldn't hold interest and was just odd.

If you are a teacher (or just a reader) and have a love for apocalyptic fiction, or your students enjoy it and want more, I guess this book can be tried. I don't know how well received it will be by students, because it's getting highly mixed reviews in the literary world. I can just say that I won't personally recommend it, because I didn't care for it.

This book should carry a high school reading level, I would say 9th grade and up for the language usage, but probably 11th and up for the content, but that's just my opinion on that.

Arrival, by Shaun Tan: The Tour de Force of Wordless Graphic Novels

I went down to the library this morning to pick up some graphic novels to keep me occupied during this last week of vacation. One of the books I picked up was The Arrival, by Shaun Tan. The Arrival is the ultimate graphic novel, it is quite literally all graphics, there is not a single word in the entire story. Also, this book doesn't necessarily qualify as a "picture book," something like a Dr. Seuss or another book you'd see in a primary classroom, it is much deeper and multi-dimensional.

From the top, the visuals of this story are unbelievable. It's a story of immigration, of a man leaving behind his wife and daughter and heading to a new, strange, industrialized world. Upon his arrival, the language is strange, the customs are strange, and the man is confused and lost. What is amazing is how well the images capture this, and how the reader becomes confused and lost as well. There were times when I was viewing this book that I felt confused and lost, that I found myself trying to understand the man and his thoughts, and that is the very essence of this wordless book.

How good is this book? I can put it best in two different ways. First of all, on goodreads.com (a book social site that I discuss frequently in this blog), there is one book that I've come across that carries an average rating of 5 out of 5 stars, and it is this book. Secondly, every teacher in the United States should have a copy of this book, and should go through it, in great depth with their classes.

Wordless books are great to use in the classroom, and yet, oddly, are something I do not have a lot of experience using. The book Zoom (Picture Puffin), by Istvan Banyai, is a wonderful wordless book in which you continue to zoom out of a picture, revealing more and more of the world as you do. It's a captivating story that students are easily drawn in to and want to experience time and again. The book Zoom has become a mainstay in literacy classrooms across the world, from kindergarten to high school classes, and I highly recommend it.

But wait, back to The Arrival and the classroom usage of the wordless book. There is a great many resources out there that discuss the merit of wordless books and the many different contexts in which they can be utilized. On EverythingESL.net, there is an article by Judie Haynes titled Wonderful World of Wordless Books in which ideas for the implementation of wordless books as literacy lessons are given (in the context of ESL students, but honestly, every child can benefit from ESL instruction, especially in the elementary setting). There is also a great wikispace that's all about reading wordless books, it is aptly titled How to Read a Wordless Book, and contains in depth examples of using The Arrival.

This is the first review of a wordless book that I have done on this blog, but now that I am thinking about it, I want to encounter more of these. Those of you who are more involved in this type of literature, please share some of the better ones you have read. Please, pick up The Arrival, by Shaun Tan, and "read" it. There are so many ways that this book could be utilized, and I'm just scratching the surface here in this posting.

Diary of a Wimpy Kid: A Book Review For the Classroom Teacher

Early last school year, I was making a large round up purchase of books for my 5th grade classroom library, and picked up a few copies of Diary of a Wimpy Kid, by Jeff Kinney (as well as its sequel, titled: Diary of a Wimpy Kid: Rodrick Rules). I noticed something very quickly. These books never even touched the bookshelf. They spent the entire year being read. This year, it was the same story, those books have continued to fly off the shelves and have been enjoyed, already, by over 25 of my students in the past 15 months.

So what is it about these books that make them so loved by pre-teen students? First of all, Diary of a Wimpy Kid books are one part fictional journal (written in a daily format), one part graphic novel, and one part realistic fiction. The books are the story of Greg Heffley, a middle school student who lives the life of, well, a middle school student. Greg is oblivious to the world around him, selfish like most middle schoolers can tend to be, and makes witty, age appropriate observations through spot on teenage dialogue.

Lately I've been writing a little about books being relevant to "modern students." These books are a prime example. I currently have a student, a struggling reader with a learning disability, reading the second book in this series (and who is eagerly awaiting the release of Diary of a Wimpy Kid: The Last Straw, which releases on January 13, 2009), and who is eager for more reading because these books have shown him that reading can be interested and leave you begging for more.

There is honestly no reason that an elementary school teacher, grades 3-5 (and even middle school teachers, 6-8) shouldn't have these books in their classroom. They are great books that kids are enjoying tremendously, and there has to be something said for books that increase interest in reading. It has also set off a search in my classroom for other graphic novels (I have a post from last year titled Teaching With Graphic Novels that you should take a look at if this is something that interests you).

Finally, if you are interested in these books in your classroom, you can head off to Funbrain.com and read the daily text of Diary of a Wimpy Kid there. I currently have a small group of below grade level readers working their way through this. CLICK HERE to go there and check it out for yourself, it's free.

Persespolis: A Graphic Novel Review

Persepolis, by Marjane Satrapi, is one of the great graphic novels of recent years. I was drawn to it after reading Art Spiegelman's Maus, the biography of his father's experiences as a Jewish Holocaust survivor. When I picked up Persepolis, I was first captivated by the simple yet effective graphics in the book itself, as well as the topic. This series, originally published in two parts, but now available as one book, is the autobiography of Satrapi, growing up in the Islamic Republic of Iran in the '70s and '80s, and living in Europe to escape the tyranny of the extremist government.

The story itself chronicles the downward spiral of hope for Iranian citizens at this time as the fundamentalist government came into power and persecuted them. This book is a clear representation of what happens when religion is allowed to rule theocratically, and isn't just a political statement, but a personal account of what DID happen, not what CAN happen.

As far as its relevance in the classroom, this book could consider adults its main audience. BUT, I do see relevance in the high school literature/composition classroom, but nothing with student much younger than 16 or 17 years old. The book does openly talk about executions, sex, and the personal journey of a teenager. Now, I'm not one for censorship, so I personally think it's great that this book touches on these things, and think it's appropriate for the 16 and up age set, because these are issues that are alive in their minds, and the political issues are things they need to know about.

Now, I'm going to step away from the book to end this and make a personal statement of opinion. As I said in the previous paragraph, I do have major issues with censorship. I don't think it should be up to the moral majority to decide what is censored. It should be up to parents to decide what is appropriate for their children, not ALL children. Also, teachers need to be aware of age appropriateness, and not just pull a book off the shelf and have the class start reading it without either reading it or researching it themselves.

By the age of 16, students should be exposed to more of the realities of the world. If we expect teenagers to be able to vote at the age of 18, they need to understand the intricacies of the world, and the difference that exist out there. I have met some narrow minded people in my life, and most of them are sticklers on the issue of censorship (they're all for it, and seek to censor those around them). We don't live in 1925, we can't think locally, and about only ourselves anymore in this world. Persepolis is a great book, because it puts a real human face on the citizens of Iran, who have been persecuted for a long time, and demonized in the eyes of many Americans.

Maus I: A Survivor's Tale: My Father Bleeds History, by Art Spiegelman

Maus I: A Survivor's Tale: My Father Bleeds History has had a reputation since the late 1970's as being one of the hardest hitting graphic novels ever written. Art Spiegelman wrote Maus as a biography of his father, Vladek Spiegelman, and did it through very straightforward but well drawn and written metaphor.

The metaphors I'm talking about are Spiegelman's portrayal of the Jewish as mice, the Nazi's as dangerous looking cats, of Russians as noble looking dogs, and of the Polish as pigs. Spiegelman himself described this metaphor as stupid but necessary, which you can see by watching the 1 minute and 5 second clip at the end of this review.

You have to be cautious when teaching this book in class, cautious to make sure you approach it correctly. Right now, I am using this book in my 5th grade class, and feel that my students are getting quite a lot out of it. We're using the book as a discussion on the holocaust, something that we studied in depth a little over a month ago, and we're also using it as a discussion on literary and visual devices, and how they work together to make a graphic novel. Students are working on their own autobiographical graphic novel as well, attempting to use the same visual cell types and word play used in Maus.

Graphic novels are still considered fringe in terms of their value in the classroom. Many teachers, parents, and literacy experts argue that graphic novels do nothing more than give students something they want (comic books) other than something they need (a valuable, learning literacy experience). I have found graphic novels to be valuable, when considering that, on top of the words on the page, students have to understand the immediate connection between words and pictures.

Maus is a great story, it's one of my all-time favorite reads, and considering that I didn't read it for the first time until earlier this year, that means that, as an adult, it's one of my favorite reads. I am currently doing research on the book, and am teaching it in my class. I will provide updates on both of those things as they move along over the next few weeks. But for now, I would consider reading Maus I (and II), and seeing if you think it would be a valuable classroom experience.

Teaching a Unit on Dr. Martin Luther King Jr.

First off, let's get one thing pretty straight. Teaching your students about Martin Luther King Jr. is more than something you do in January when his birthday is near. Of course, it's a great thing that we have a day set aside to commemorate the life of Dr. King, but he's more than just a day of coloring pages and a quick read aloud.

Many of us spend weeks and weeks teaching about presidents, George Washington, Abraham Lincoln, and Thomas Jefferson. Marting Luther King Jr. is easily one of the most important figures in American history that we can teach our students. The man stood for so many good things, he stood for pride, peace, justice, equality, and respect for everyone.

I actually teach a civil rights unit, with the impetus of the entire thing being the life and teachings of Dr. King. There are many ways to approach such a unit, so I'll simply provide the example of what I do, and some of the resources I use when teaching about King, and hopefully some of it will be helpful for you. Just remember, making the decision to focus an extended period of teaching on men of integrity like King is the right decision, don't question it.

I always start my civil rights unit with a letter home to parents asking them for permission to teach their students through visual means. What I mean by this is that I do show them images of the struggle of civil rights, they hear and read accounts of the struggle, of the blood, the humiliation, and the death. It's important not to shock students, but to make the reality shine clearly. Civil rights was not simply a list of non-violent struggles to help African Americans gain equal rights, it was a bloody time. They were humiliated, beaten, and killed, and while we must be careful with what we show our students, we must also focus on the truth and the reality.

My school always shows the one-hour-long cartoon Our Friend, Martinright before the Martin Luther King Jr. holiday in January. This video is appropriate for kindergartners to watch, but even the older students, as old as 8th or 9th grade, sit and watch this video and always seem to retain quite a bit of what is presented, the life and historical importance of Reverend King. I recommend this video as an introduction to your unit if you can get ahold of it.

From there, we move into some literature on King, and begin the unit itself. First, let me explain some of the activities, and then I'll end by providing a list of some good picture, chapter, and reference books about Dr. King.

One overall activity that I have my students do is a biography of King. Each student is responsible for making a timeline of his life, and a list of the important events of his life. We do a bulletin board in the hallway with the letters KING in the middle, with short blurbs about King's life and importance around the name on the bulletin board. The students make the short blurbs from their biographies.

Obviously there are many approaches to the unit, I just gave a brief overview of a quick idea how to begin. You could also have your class make a video, which is something I'm doing right now with my class. Students will each record a 2 minute video where they discuss why King is important to them, and then, by mixing their clips with pictures, audio, and clips of King, make a video to show to the school. These are just a few ideas, now for the literature:

Here are some great picture books to use in your unit:

• My Dream of Martin Luther King (Dragonfly Books),by Faith Ringgold - Ringgold tells the events of a dream she had about King. This book shows children the struggles that King faced, as well as how truly remarkable his life really was.
• I've Seen the Promised Land: The Life of Dr. Martin Luther King, Jr.by Walter Dean Myers - This is a good introduction to the life of King. It's very timeline oriented, with great visuals. Many students would benefit from reading this book early on in your unit.
• . . . If You Lived at the Time of Martin Luther Kingby Ellen Levine - The question and answer format of this book makes it absolutely perfect for read aloud. I used this book just last week and the class had a very deep and appropriate discussion about King during the reading of the book.

And here's some great chapter books and reference style books to add to your library or read with your class:

• King: A Comics Biography of Martin Luther King, Jr. (The Complete Edition), by Ho Che Anderson - This 228 page graphic comic book is a masterpiece among masterpieces. It's a stunning visual and written account of the life of King. I don't know that I could recommend this book for students younger than say 7th or 8th grade, but as far as books about Dr. King goes, this one is stunning in every way.
• Children of the Dream: Our Own Stories Growing Up Black in America by Laurel Holliday - This 450 page book presents individual stories, diary excerpts, and essays of African Americans during and after King's "I Have A Dream" speech. It's a good book, you can definitely use bits and pieces of it, although probably not the whole thing.
• My Life with Martin Luther King, Jr. by Coretta Scott King - This book is unique because it's partly a retelling of King's own autobiography, but also shows you the extraordinary life of Dr. King's wife.

Teaching With Graphic Novels

I have wide literary interests, that's certain, and lately, I've been getting more and more involved with graphic novels. Now, I'm not just talking about long comic books, like the Dark Knight series (you know, Batman), and Manga, those Japanese comics, I'm talking about novels that are told through graphic form.

There are a few that immediately jump out as growing classics in the field of young adult literature, which I'll get to in a little while. Think about it this way. You want students to scaffold their readings skills to become more fluent and accomplished readers. They do this by questioning, visualizing, connecting, responding, and extending what they read. By using a graphic novel, you'll find that many of your students are drawn more deeply into the story, plus, it allows you, as the teacher, to bring up important questions as to why the author used certain visual symbols and other things along visual lines, it really brings a new dimension to the text.

You'll want to read up first, don't just grab a graphic novel and throw it at a group of 10-year-olds, it might not be appropriate. Here are a few of my favorite graphic novels, as well as my opinion regarding their age appropriateness.

Maus I & II by, Art Spiegelman: I just wrote about Maus a few days ago in a post about the best young adult (ya) holocaust literature out there. So, yeah, again, this is the true story of Spiegelman's father, a Jewish holocaust survivor who was sent to Auschwitz. The books are heart breaking, and brutal in their honesty. The animal metaphor is very straight forward, and has even been defined by Spiegelman himself as 'stupid,' but kids can understand it and really read deeply into this story.

American Born Chinese by, Gene Luen Yang: This is a great story that is told in three parts. Your students will love the story of the Monkey King, will be able to identify (especially if they're of minority race or ethnicity) with the main character, Jin Wang, and will scratch their head and become challenged by the Asian stereotype of Chin-Kee. It's a great story all around, look in to it.

Persepolis by, Marjane Satrapi: What a great story. It's the autobiographical account of Satrapi growing up in Iran, and living through the Islamic Republic of Iran. It's a great way to introduce students to what happened and is still happening in the Middle East, as well as how the vast majority of people over there are good and hard working people who are being judged by the actions of a few extremists.


Yeah, there's many many great graphic novels out there. This is just a start. Actually, Maus and American Born Chinese were both introduced to me by a professor of mine, and I'm actually doing research on Maus, something that I'll probably be discussing more, it has become a major interest of mine, the symbolism in ya and children's holocaust literature.